Muhammad Kamruzzamann | Updated at 12:00am on June 07, 2020
Netflix’s Extraction (2020) has been widely criticised for its superficial and politically incorrect portrayal of Dhaka. Taking up that que, Muhammad Kamruzzamann argues that only...
Muhammad Kamruzzamann | Updated at 07:45pm on June 03, 2020
I wish, I were a refugee,a Rohingya refugee:thousands would take care of my need;there would have been NGOsto look after all of my greed;no one...
Muhammad Kamruzzamann | Updated at 09:05pm on May 13, 2020
f we had a vision, then things could have been different; our fights could have different. Instead of fighting for food, we would have been...
Muhammad Kamruzzamann | Updated at 12:00am on October 06, 2019
The much talked about film of 2018 ‘Debi: Misir Ali Prothombar’ (2018) is an adaptation of a novel by Humayun Ahmed and directed by Anam...
Muhammad kamruzzamann | Updated at 12:00am on June 23, 2019
Haruki Murakami’s Norwegian Wood (1987) is set in Tokyo of 1960, when like many other countries, students there were protesting at the established order of...
Muhammad Kamruzzamann | Updated at 12:00am on April 28, 2019
With allusions to two classic European literatures, Muhammad Kamruzzamann talks about the unquenchable thirst for knowledge of Dante and Faust
Muhammad Kamruzzamann | Updated at 12:00am on March 24, 2019