In a schoolyard of rural northeastern Syria, boys and girls break out into giggles watching Charlie Chaplin’s pranks, a rare treat thanks to a mobile cinema roving through the countryside.
In Kurdish-held areas of the northeast, filmmaker Shero Hinde is screening films in remote villages using just a laptop, projector and a canvas screen.
‘We’ve already shown films in towns but we wanted children in the villages to enjoy them too,’ said the bespectacled 39-year-old with thick greying curly hair.
With some films dubbed into Kurdish and others subtitled, he and a team of volunteers want to spread their love of cinema across Rojava, the Kurdish name of the semi-autonomous northeast of war-torn Syria.
‘Our goal is that in a year’s time, there won’t be a kid in Rojava who hasn’t been to the cinema,’ the Kurdish filmmaker said.
Sitting on coloured plastic chairs in the village of Sanjaq Saadun just before dusk, the boys and girls watch wide-eyed as the first black-and-white images of ‘The Kid’ appear on screen.
Lively piano music rings out across the school basketball court, as Chaplin plays a tramp who rescues an orphaned baby in the 1921 silent movie.
Laughter rises above the darkened playground as he tries to clean the baby’s nose or to feed him from a kettle strung from the ceiling.
Across the Kurdish-held region, old cinemas once showed American B movies, Bollywood fare and porn, but they have lost their audiences and closed.
In local minds, cinema is also tied to tragedy, after a fire ripped through a theatre in the nearby town of Amuda in 1960, killing more than 280 children.
The mobile cinema, says Hinde, aims to introduce young children to the magic of the silver screen from the early days of moving pictures -- something he missed out on as a schoolboy.
‘When we were kids, the cinema was that dark place,’ said the filmmaker, wearing black-rimmed glasses and a green t-shirt.
In primary school, he and others were taken to see films inappropriate for their age and in substandard conditions, he recalled.
It was only later that he discovered ‘the truth and beauty of cinema’.
To give today’s children a different experience, ‘we’re now trying to substitute that darkness for something beautiful and colourful’, he said.
The mobile cinema’s objective is also to screen ‘films linked to protecting the environment and personal freedoms’, Hinde said.
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